Table of Contents

Lecture Reflections

En
: Lecture Reflection #1 22.1.2010
What is Design? How many products have I touched from the time I awoke, left my flat and entered class?

Tre: Lecture Reflection #2 29.1.2010
Where Does Danish Design come From? What are it's Roots?

Otte: Lecture Reflections #3 9.2.210
The space between art and design... What is it?

Atten: Lecture & Reading Reflection 9.3.2010

"Furniture for the Whole World" By Erik Moller

Tyve: Lecture Reflection 10.3.2010
Guest Lecture: Fashion Design

Toogtyve: Lecture Reflection 12.4.2010

Civic Design

Toogtyve: Lecture Reflection 16.4.2010
Transportation Design

Femogtyve: Lecture Reflection 12.3.2010
Guest Lecturer Pernille Palsbro on Interiors

Seksogtyve: Lecture Reflection 16.2.2010
Objectifying Design


Symposia Reflections

To:
Symposia #1 Reflection 24.1.2010
Self-Critique of group lecture & reflections, thoughts on Ole Thyssen's Form & Distinction

Seks: Symposia #2 Reflection 2.2.2010

Design as a Tool for Marketing & Branding

Ti: Symposia #3 Reflection 12.2.2010

Democratic Design

Femten: Symposia #4 Reflection 20.2.2010
Craftsmanship & Mass Production

Seksten: Symposia #5 Reflection 6.3.2010

Tradition & Modernity

Enogtyve: Symposia #6 Reflection 15.4.2010
Danish Design Past to Present

Femogtyve: Symposia #7 Reflection 19.4.2010
Metro Diner- Danish Public Transportation

Syvogtyve: Symposia #8 Reflection 23.4.2010

Civic Design in Copenhagen


Reading Reflections

Fire: Reading Reflections 30.1.2010
"Design, is an integral part of the Danish," by Anne Marie Summerhayes

Fem: Reading Reflections 2.2.2010
"Danish Design- A Structural Analysis" by Anders Kretzschmar

Svy: Reading Reflections 8.2.2010
Danish Design edited by Svend Erik Moller pp 59-109, 133-134

Elleve: Reading Reflections 11.2.2010

"Danish Democratic Design (1800-2000): A tender birth of democratic design culture" By Jarl Heger

Tolv: Reading Reflections 14.2.2010

"Applied Art between nostalgia and innovation" By Kristian Berg Nielsen

Fjorten: Reading Reflection 10.3.2010
Text #4 in Compendium (pp. 40-56) Crafts and Experiments from PP Mobler's workshop for 50 years.

Nitten: Reading Reflection 9.3.2010

"Danish Fashion" By Marie Riegels Melchior


Field Study Reflections

Ni: Field Study Reflections #1 10.2.2010

Classic/Historical Danish Design compared to New/Contemporary Danish Design.

Tretten: Field Study Reflections #1 18.2.2010
Danish Museum of Art & Design: Post-War Period selection of Cecilie Manz Ladder (1999).

Sytten: Field Study Reflections #2 9.3.2010
Danish Design Center It's a Small World exhibit.

Treogtyve: Field Study Reflections #14.4.2010
Civic Design Gem






søndag den 31. januar 2010

Tre

When considering the key attributes of Danish Design adjectives such as clean, simple, efficient, minimalistic, subtle & tranquil come to mind. Post reading about the history of Danish Design one understands that the Dane’s pride themselves on craftsmanship and functionality. The Dane’s have mastered the art of simplifying so that each piece of a design is an integral part. Two weeks of exposure to Danish Design has allowed me to experience this functionality that isn’t seen in many cities, as most cities expand without plan or intention in mind. The public transportation here alone is a work of art. I find myself in awe each time I enter the Metro. The architecture, the acoustics, the simplicity of the system so refined a driver isn’t needed. While I am used to the ill-planned Subway in Boston I don’t think there’s a sole who can argue the ingenuity behind the Metro.

Where does this come from? This society based upon design principals practiced and respected forever. Is this a result of Thyssen’s System theory? I’m not sure but it seems that the characteristics of Danish Design infiltrate the way of life here. Where does Danish Design come from? Thyssen might say the system in which all Danes are subjected to, I might say the landscape or history of the Danish people…some might argue Scandinavian influence. While all arguments are objective one can’t argue that the Danish Design roots run deep. Maybe because it is so foreign to me, I notice it everywhere, but I feel that every surface or layout within this city screams Danish! But what do I know…Let’s take a look.

It seems undeniable that Danish Design is influenced by the surrounding landscape. Whether it the cool, clean designs that are harsh and defiant like the winter climate here or the smooth clean lines like that of the rolling hills. In 1988 the “Panton Dish” was created and for sure mirrors the land in which it was born. I’ve recently learned that all of Danish Landscape has been designed and touched by human hands, sculpted to the Danish view of perfection. While touring Western Denmark I am forewarned not to be fooled by hills and trees, those two are result of human contact in the form of Viking graves. So maybe the landscape cannot take credit for influencing Danish Design, if it in itself is a result of Danish Design… as mentioned in class even the roads here were planned intentionally to move around the across the landscape in such a way that people do not fall asleep while driving.

Maybe Danish Design thrives on the innate want to improve the perfect. The Danish pay homage to the predecessors by improving upon designs that have already been perfected. While necessity is the mother of invention, is that not what has spurred all innovations and improvements globally throughout time? How can this specifically apply to Danish Design? In 1944 Piet Hein explained his working method “Art is solution to problems which cannot be formulated clearly before being solved.” So perhaps the Danish Design is shaped by the need to become a part of this rooted system in improving quality of life. Copenhagen seems a perfect example of this, seeing as it’s such a livable city. It has occurred to me that designing here will require much problem solving…how can you find fault in a city that has proven so efficient?

It wasn’t until the first part of the 20th century that the Danish cabinet makers and furniture designers formed a style uniquely considered Danish. Because Denmark has always been a city of trade and commerce, much of what is coined as Danish style has outside influence. For example the use of wood in Danish furniture and design, chosen for its flexibility, aesthetic pleasure and ability to warm the body and surroundings, has not generally been cut here in Denmark. A land so flat and stark of forest one might consider it odd that wood is a traditional element in Danish Design. It has been previously noted that much of Danish design influences come from the Viking Ages in which, as explorers, the Vikings had global influence in their design. I would like to think that this explorative lifestyle was handed down throughout the centuries since times have changed and perhaps the nature of Vikings is ever present in the Dane’s. While Denmark is now well rooted and established, its people no longer travelers of the sea, maybe the Danish folk have an innate desire to explore. Perhaps this is what drives Danish Designers, City planners, citizens and government officials to seek improvement in everyday life. Exploring possibilities that there is always room for improvement, and until the problem is uncovered it cannot be solved. As a result, a society that is constantly seeking improvement.

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